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| The Fleets drawn up for Battle Design Willem van de Velde The Elder |
The artworks arrived at the museum earlier this week and will be on public display from 2 October 2020.
"The Van de Velde Tapestries remind us of our shared cultural heritage. The acquisition is not only welcomed, but highly appropriate and a symbol of the strong and continuing relationship between our two museums." – Sue Prichard, Senior Curator of Arts, Royal Museums Greenwich
Wide support from art funds and British museums
The National Maritime Museum in Amsterdam considered purchasing just one tapestry. An additional contribution from a Dutch art fund and close consultation with colleagues from several museums in the UK, enabled the museum to keep both tapestries together. The biggest acquisition ever was made possible with the support of several Dutch sponsors. |
| The Burning of the Royal James (Later in the Day), woven after a design by Willem van de Velde the Elder |
World-class artworks
The tapestries are part of a series of six which depict various scenes from the Battle of Solebay in 1672. A first set was commissioned by King Charles II shortly after the battle. It is still in the Royal Collections. One tapestry is on permanent loan to the National Maritime Museum in Greenwich.Thirteen years later Charles's brother, King James II, commissioned a second set depicting the battle which was broken up for sale in 1914. Four tapestries from this set are currently in American museum collections, but not on public display.
The two tapestries acquired by the National Maritime Museum in Amsterdam, were the last ones that will ever appear on the market. They have been restored with great care in the UK.
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| Willem van de Velde the Elder (image via Wikipedia) |
About Willem Van de Velde the Elder
(via Het Scheepvaartmuseum)
Willem van de Velde the Elder (1611-1693) is widely regarded as one of the most eminent Dutch maritime artists of the seventeenth century.
His meticulous and elaborate pen-paintings were very popular in high society and affluent circles all over Europe. Van de Velde and his son Willem, also a celebrated maritime artist, settled in England in the winter of 1672-1673 to work at the royal court on the invitation of King Charles II.
There, in addition to various pen-paintings and a few oil paintings, Van de Velde the Elder created the designs for a series of imposing tapestries that were produced at the Mortlake Tapestry Works near London.
The tapestries highlight the skill and versatile talent of Van de Velde the Elder.
Willem van de Velde the Elder (1611-1693) is widely regarded as one of the most eminent Dutch maritime artists of the seventeenth century.
His meticulous and elaborate pen-paintings were very popular in high society and affluent circles all over Europe. Van de Velde and his son Willem, also a celebrated maritime artist, settled in England in the winter of 1672-1673 to work at the royal court on the invitation of King Charles II.
There, in addition to various pen-paintings and a few oil paintings, Van de Velde the Elder created the designs for a series of imposing tapestries that were produced at the Mortlake Tapestry Works near London.
The tapestries highlight the skill and versatile talent of Van de Velde the Elder.
The Video:
Van de Velde exhibition in Amsterdam
The tapestries will go on display for the first time during a large Van de Velde exhibition in the National Maritime Museum in Amsterdam from 2 October 2020 to 5 April 2021. Given its size and scope, this retrospective exhibition will be a world first.
After the exhibition the tapestries will remain on public display in the museum permanently.
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