Vision Films Adds to October Halloween Film Fare With Sci-Fi Alien Adventure 'White Sky' [Trailer Included]

'White Sky' Sci-Fi Thriller - Movie Poster

Vision Films Inc. announces the US and Canadian VOD release on October 16 of sci-fi alien adventure White Sky from M and M Film Productions UK. Written by Philip Daay, directed and produced by Adam Wilson, and produced by Malcolm Winter, Makenna Guyler, and Monika Gergelova of M and M. White Sky was filmed on location in Wales during the pandemic, September 2020.

Synopsis: 

When three campers witness an alien mothership descending on their town and turning the population into "Altered" human beings, they team up with a reclusive stranger who offers to guide them to safety. As they're chased deep into the forest and one of them becomes infected, they realize there's nowhere to hide from the Altered horde that seems intent upon finding and assimilating them.

Starring: 

• Natalie Martins (Get Gone), Ade Dimberline (The Spanish Princess), Makenna Guyler (King of Crime), and Jordan McFarlane.

'White Sky' (Screengrab)

Lise Romanoff, CEO/Managing Director of Vision Films shares, "White Sky is the perfect sci-fi release for Halloween, it covers all the bases the horror audiences love: great special effects, suspense, action and of course, aliens."

Malcolm Winter, Managing Director/Commercial Director says, "M & M Film Productions overcome all the obstacles to shoot White Sky in the lockdown and create an entertaining Sci-Fi drama."

Monika Gergelova, CEO/Managing Director adds, "White Sky has a strong female character in "Hailey" who does not give up, no matter what she has to face. Sensational all the way through."

The Trailer:

• White Sky will be available on all major streaming and cable platforms in the US and Canada, and on DVD October 19, 2021.

'White Sky' (Screengrab)

About M and M Film Productions:

M and M Film Productions is an Independent UK Motion Picture Production company founded/led by Monika Gergelova, CEO/Managing Director and Malcolm Winter Managing Director/Commercial Director and together they bring decades of motion picture and investment financing to M & M Film Productions. The principals also possess well-respected relationships with production suppliers and distribution outlets on a needed basis.

SOURCE: Vision Films, Inc.

[Blog Tour] 'The Whirlpools of Time' By Anna Belfrage #HistoricalFiction #TimeTravel

'The Whirlpools of Time' - Tour Banner

The Book:

The Whirlpools of Time
By Anna Belfrage

• Publication Date: 11th June 2021
• Publisher: Timelight Press
• Page Length: 388 Pages
• Genre: Time travel romance, Scottish Historical Romance

The Blurb:

He hoped for a wife. He found a companion through time and beyond.

It is 1715 and for Duncan Melville something fundamental is missing from his life. Despite a flourishing legal practice and several close friends, he is lonely, even more so after the recent death of his father. He needs a wife—a companion through life, someone to hold and be held by. What he wasn’t expecting was to be torn away from everything he knew and find said woman in 2016…

Erin Barnes has a lot of stuff going on in her life. She doesn’t need the additional twist of a stranger in weird outdated clothes, but when he risks his life to save hers, she feels obligated to return the favour. Besides, whoever Duncan may be, she can’t exactly deny the immediate attraction.

The complications in Erin’s life explode. Events are set in motion and to Erin’s horror she and Duncan are thrown back to 1715. Not only does Erin have to cope with a different and intimidating world, soon enough she and Duncan are embroiled in a dangerous quest for Duncan’s uncle, a quest that may very well cost them their lives as they travel through a Scotland poised on the brink of rebellion.

Will they find Duncan’s uncle in time? And is the door to the future permanently closed, or will Erin find a way back?

• Trigger Warnings: Sexual Content. Violence.

• Buy Links: Universal Link ✔  Available on #KindleUnlimited ✔

'The Whirlpools of Time' - Book Cover

'The Whirlpools of Time' - Excerpt:

Duncan has just taken his first ever ride in a car…

Once the contraption had come to a halt, Duncan carefully released his hold on his seat. His head throbbed but most of all his brain ached, trying to make some sense of all these new impressions. Erin opened her door and got out. He studied the door on his side, not knowing just where the locking mechanism was. She made no move to help him. Mayhap she intended to keep him here, confined in this box of metal on wheels.

He groaned and hid his face in his hands. What had happened to him?

The door opened.

“Need help?” she asked.

“Aye.” With everything, really, starting with an explanation of where he was and how he came to be here. But he didn’t say that. He just took her offered hand and gingerly dragged himself out of the vehicle. Part of him—the rational part—was intrigued by it, wanting nothing more but to understand how this piece of advanced engineering worked. The other part quivered with fear. This was some sort of magic and he’d ended up in a time of powerful sorcerers. Except that Erin did not look like a witch should look. That curly hair of hers framed a face in which the most distinctive feature were her eyes, at present studying him with concern.

“Are you alright? That gash on your forehead is bleeding.”

“It is?” He lifted his hand to his head, surprised at discovering she was right. Blood coated his fingers. “No great matter,” he said. But the world was spinning and he gritted his teeth, willing the dizziness to abate.

She slipped an arm round his waist, holding him steady. “It’s the concussion,” she said. “The nurse said you might feel the effects for some more days.”

“Likely.” He’d had one several years ago when he’d stolen a ride on one of Michael Connor’s precious brood mares and been thrown for his efforts. That time, it had been Grandma Alex looking after him.

She helped him to the door, had him steady himself against the wall as she unlocked, fiddled with something that emitted several strange high-pitched sounds, and then invited him inside. He drew in a surprised breath when she set her finger on a little protuberance and flooded the interior with light.

The room was huge. On the opposite side, large windows replaced what should have been walls and even on a day as overcast as this, Duncan could not tear his gaze away from the large expanse of water that lapped at the shoreline a stone’s throw from the windows.

“Stunning, isn’t it?” she said, and he could hear the pride in her voice.

“It is.” Truth be told, everything about the space they were standing in was stunning. White walls were hung with paintings that were mostly a collection of colours, there was a thick Turkish rug on the floor that would have had Kate Jones turning green with envy. The thought brought him up short. Was she dead yet? And then he shivered: everyone he knew was dead—since centuries back. He shook himself free of these thoughts and concentrated instead on the huge hearth with wood neatly stacked to the side and a pelt spread out before it, the wide-open mouth of the cat who’d once owned the hide frozen in a permanent snarl. Beside him, she shifted on her feet.

“I inherited it,” she said, sounding apologetic. “I’d never have bought a tiger skin.”

“Ah.”

“I guess my great-grandfather shot it before tigers became an endangered species,” she added and he didn’t understand one word of that but nodded all the same, kept on nodding as she chattered on about how few tigers there were left and how much she despised trophy hunters. He found her voice soothing even if he had never heard of trophy hunters and as to the poor tigers, how could one possibly know how many such ferocious beasts roamed the jungles?

Other than the fireplace, the room contained a large table to one side, something resembling an overgrown settle on the other. Bright red cushions and matching throws added gaiety to a room otherwise dominated by wood and black leather. An opulent space, along the lines of the Jones’ residence in Annapolis, and Duncan threw Erin a look. In her revealing breeches—very revealing—a pink shirt that barely covered her midriff and shoes in brightly coloured fabric that covered her ankles, she did not quite match the furnishings. She reminded him of a butterfly, all bright colour and flitting movements as she darted from one side of the room to the other, plumping up a cushion here, tweaking at a coverlet there.

Anna Belfrage

Author Bio:

Had Anna been allowed to choose, she’d have become a time-traveller. As this was impossible, she became a financial professional with two absorbing interests: history and writing. Anna has authored the acclaimed time travelling series The Graham Saga, set in 17th century Scotland and Maryland, as well as the equally acclaimed medieval series The King’s Greatest Enemy which is set in 14th century England.

Anna has also published The Wanderer, a fast-paced contemporary romantic suspense trilogy with paranormal and time-slip ingredients. Her September 2020 release, His Castilian Hawk, has her returning to medieval times. Set against the complications of Edward I’s invasion of Wales, His Castilian Hawk is a story of loyalty, integrity—and love. Her most recent release, The Whirlpools of Time, is a time travel romance set against the backdrop of brewing rebellion in the Scottish highlands.

All of Anna’s books have been awarded the IndieBRAG Medallion, she has several Historical Novel Society Editor’s Choices, and one of her books won the HNS Indie Award in 2015. She is also the proud recipient of various Reader’s Favorite medals as well as having won various Gold, Silver and Bronze Coffee Pot Book Club awards.

• Find out more about Anna, her books and her eclectic historical blog on her website, www.annabelfrage.com .

Connect with Anna Belfrage:

• Website ✔ Twitter ✔ Facebook ✔ Instagram ✔ BookBub ✔ Amazon Author Page ✔ Goodreads ✔

'The Whirlpools of Time' - Tour Schedule Banner

Best Selling eBook 'Ancient' (Earth 50,000 BC Book 2) by David Edward Now FREE on Amazon and Barnes & Noble #SciFi

'Ancient' (Earth 50,000 BC Book 2) - Front Cover

'Ancient' is the electrifying first book (even numbers are books, odd numbers shorts) in the military science fiction series 'Earth 50,000 BC' from writer David Edward, author of the critically acclaimed western 'Alamosa'.

It is a well-reviewed page turner that introduces interesting characters and a unique world in it's military sci-fi setting.

From the back cover:

Betrayal! For the arrogant Truth-Tellers, guardians Logan and Odessa are an inconvenience. A problem with a simple brutal solution. But not everything is as it seems; not every path leads to salvation.

Navigating a web of lies and with the odds squarely stacked against them, the guardian's survival depends on their ability to unravel an ancient mystery on the far away mining planet Alethia. Thrust into a desperate gambit, Logan and Odessa must fight not for themselves, but to recover the ones they guard.

"The story is a fun pulp serial," said author David Edward. "Sci-Fi should be lean and to the point, with something to say about how we live today as an important element, but an aside. Enough introspection to have you think, but not too much to get in the way of the adventure. Ancient does this, and it is the kind of science fiction I like to read. A good story with characters that must work hard to succeed against all odds." He concluded.

• You can get Ancient for FREE from either Amazon or Barnes & Noble

David Edward (Photo via Author's Amazon Page)

About David Edward:

Author D. Edward served as a special agent in the US Army in during the 1980's and 1990's and is a veteran of multiple overseas combat tours. He is a graduate of the United States Army Intelligence School and holds advanced degrees in engineering and technology including a PhD, three related master's degrees, and an undergraduate degree in business.

• You can follow his publication schedule here

As an additional incentive, readers can register their free download of Ancient at the author's website to in the Panama Red pre-order giveaway to receive one of a hundred randomly chosen free signed copies of his short story collection Abraxian Wars, also available now at Amazon and Barnes & Noble.

SOURCE: David Edward

[Blog Tour] 'Earth 101 – Time to Run' By Emae Church #SciFi #Fantasy

Earth 101 - Book Tour Poster

The Book:

'Earth 101 – Time to Run'
By Emae Church

• Publication Day : 20th July 2021 by Korudaz Ink
• Page Count : 480 pages
• Genre : YA, Sci-Fi, Fantasy

The Blurb:

A missing girl. A world of secrecy. A quest to expose the truth.

Jayne knows they're gone, but no one else will acknowledge what's happening.

One by one, they're systematically erased from existence. No explanations. No missing person's reports. No search parties.

Something sinister is afoot. Jayne can feel it in her bones. But uncovering the truth will prove difficult, especially when she discovers who and what is behind the devious plot.

As she searches for answers, she grapples with the lingering effects of a head injury, an unexpected forbidden romance, and a strange new reality that changes everything.

Will she uncover the truth, or will she be the next innocent victim?

Earth 101 - Book Cover

'Earth 101' - Excerpt:

“You can’t force me to do anything!” The last word tapers off, shaky and weak.

I recognise the voice. It’s Laura from school. I crane my neck and squint over the top of the nearby scattered boulders. But where is she? And who is she talking to?

Are they here because of me? Laura knows my running route – she’s been vocal of my attempts to scramble up this hill – but this can’t be a follow-on to what happened in school today? What will they think if they see me hiding?

The urge to stand up tugs at me. To carry on down the slope and mind my own business. But what if Laura sees me? How could I pop out of nowhere and continue along my way, pretending I don’t notice her? I don’t need even more hushed conversations and lowered eyes in the corridors of Hill Derry tomorrow.

I’m also not in the mood for another run-in with her.

I wipe away a lone, wind-induced tear on my cheek. The howl of the wind is picking up and carrying away Laura’s words.

All I hear is the despair in her voice. “Why are you doing this?”

The fear. “Please, wait. Let’s go back–”

Who is she with? I’ve seen her hanging with a lanky fella with white hair after school, but… should I go after her?

Do I want to find myself in another argument and fight?

The feet and voices grow faint and are replaced by the whistle of the wind. Billowing clouds chase across the dark sky. Peering down from my hiding place, an urgency compels me to follow Laura, as a gust of wind echoes with her voice.

Wait a minute, was that a shout? A scream? I’m on my toes as I move forward quickly but warily.

I search the street around me, but I’m alone. There’s nobody to ask for assistance. Even if there were, would I bother asking? Probably not.

There, another shout. I should leave them to it, but a worrying curiosity sweeps me along, following Laura’s voice. I can’t make out what she is saying, but it’s an angry, albeit shrill tone. I know Laura, and that is a scared voice. She’s hiding fear behind a veil of angry words.

I stop at the corner to an alleyway. They’ll see me should I turn the corner, and all the anger will become aimed at me. A bus charges past and almost erases the shouting, but between the sounds of heavy wheels and metal, I catch a snippet of Laura’s words.

“Why don’t you just jump in your stupid sh… and …-off to another galaxy!”

Whoever she is with has not uttered a raised word. All I hear is a male mumble of sorts. He’s obviously trying to calm her. But then an unwitting cough escapes me. I grasp my mouth, but then it happens

• Earth 101 is the debut novel from Emae Church, an emerging author, based in the South-West of England, who enjoys the adventure of life with two lovely children, when not saving the world

Connect with Emae Church:

• Website ✔ Twitter ✔ Amazon UK ✔ Amazon US ✔

"Is Humanity Ready for Alien Contact?"- Author Kerry McDonald Says "Yes!" in New Sci-Fi Thriller

'The Green Cathedral' by Kerry McDonald and Lee Tidball

Set under the canopy of a Central American jungle, author Kerry McDonald's new sci-fi thriller, The Green Cathedral, follows a corrupt DEA agent and his transformative relationship with an otherworldly being. Inspired by the literary classic, Green Mansions, by W.H. Hudson, this reimagining is supercharged with action and romance in McDonald's visually arresting style.

Today, people are no longer embarrassed about believing in extraterrestrials. Leaders around the world agree that Earth has been visited by aliens. Recently, Haim Eshed, former head of Israel's Defense Ministry space directorate, made headlines claiming to be in communication with a UFO. "The Unidentified Flying Objects have asked not to publish that they are here—humanity is not ready yet," Eshed says. Kerry McDonald thinks we are.

The Green Cathedral opens with a crash landing of an alien spacecraft in the rainforest of Costa Rica. According to the New York Times, the U.S. Air Force investigated over 12,000 UFO sightings from 1947-1969. 701 remain unexplained. McDonald explores an unexplainable UFO phenomenon, and introduces a beautiful alien woman who has a deep connection with nature. In a world immersed in crime, nature offers the only escape. Can the extraterrestrials be here to remind humanity?

DEA agent Abel has spent his life with the ugliest side of humanity. He's given in to corruption, bribery, and an illegal side hustle that has him on the run from the cartel. He stumbles upon an alien girl who lives in the jungle. Her space craft crash-landed a decade ago; his life crashed and burned well before that.

They fall in love, but Abel's past has tracked him down.

The Green Cathedral makes us believe in love at first sight, and that nature can heal lost souls, even in the depths of the cartel.

"Non-stop action . . . a real flight and fight to the finish. Absolutely worth a read." – Screencraft

Kerry McDonald

Kerry McDonald is an all-American gymnast and adrenaline junkie who thrives on rock climbing, base jumping, paragliding, yoga, meditation, lucid dreaming, and survival-focused getaways. An expert marksman, Kerry enjoys writing action-adventure stories that provide an adrenaline rush equivalent to life when lived to the fullest.

• 'The Green Cathedral' is available here

SOURCE: Level 4 Press Inc.

Vision Films Brings Post-Apocalyptic Contamination Flick 'Lethal Virus' to Audiences This Summer [Trailer Included]

'Lethal Virus' - Movie Poster

Vision Films Inc. announced the North American release of the contagion horror film Lethal Virus on July 27. The film, partially shot during the pandemic, is a production of Virtual World Pictures and World Real Games, with the collaboration of Canary Film Factory and directed by filmmaker Daniel H. Torrado, who also co-produced, co-wrote and post-produced. 

Eerily familiar, a deadly and highly contagious Corona virus sweeps across the globe, this time unleashing flesh-eating zombies. Although the film is to entertain with a good dose of action and suspense, it is a warning about the dangers of climate change and the need for a more caring society. Can anyone survive?

The Synopsis: 

In a post-apocalyptic world where food is scarce and danger is high, a new super virus begins to infect the remaining population and threatens to destroy what's left of humankind. As a special forces group transports a young scientist, their last hope for a cure, to her lab against all odds of survival, they encounter zombie-like creatures who are the newest victims of the super virus.

The Trailer:

Starring an international cast including Christian Stamm (Westworld, Malnazidos), Loretta Hope (Barren, Hexagon), Ramón Álvarez (Justice League, Jurassic World) and Tomas Paredes (James Bond, El Cid). And for the action scenes, the team of specialists from films such as Assassin's Creed, Mission: Impossible - Fallout, Rambo 5, Star Wars: The Force Awakens, and Terminator 6, among others, were used.

Lise Romanoff, CEO/Managing Director of Vision Films shares, "Lethal Virus is such a timely film that brings together an international cast and great effects for a harrowing and gruesome escapade to save humanity."

Writer/Director Daniel Torrado says, "During the filming, the pandemic began and we watched in amazement as the script was transforming into reality before our eyes. During the shooting we also suffered the inclemency of climate change, in the form of unexpected snowfalls and torrential rains, but we decided to use the setbacks to our advantage, adapting the scenes and including snowy sequences of great visual beauty."

• The zombie thriller will be available on VOD and cable platforms across the US and Canada, and on DVD. Official Selection of the NIAFFS International Action Film Festival 2021.

SOURCE: Vision Films, Inc.

Star Trek's Nichelle Nichols (Lt. Uhura) to Christen the Real World Federation Headquarters

Nichelle Nichols

On September 10-12, 2021, Nichelle Nichols will meet with fans for autographs, photos and other activities during her trip to Northwest Ohio to officially christen the headquarters of the International Federation of Trekkers on Cleveland Road in Huron.

• The Federation is the only Star Trek fan club founded with the approval of series creator Gene Roddenberry. After 36 years of service, the organization moved into its new headquarters facilities in fall of 2020. Fans, donors, volunteers and tourists are welcome to visit the new facility.

"The new facility is the culmination of a dream. It is a testament to the selfless work and gifts of our volunteers and donors over these many years," mentioned Russ Haslage, cofounder of The Federation. "And there is nothing more fitting than to have my long-time friend and 'adopted' showbiz mom here to officially christen the location."

Lt. Uhura (screengrab)

In a career spanning seven decades, Nichols has been a singer, dancer and actress on stage, television and movies, but is best known in her groundbreaking role as Lt. Uhura, the communications officer on the U.S.S. Enterprise in Star Trek, the original series, and six subsequent movies.

While at Federation headquarters, Nichols will sign autographs and pose for photos with fans in the replica of Captain James T. Kirk's chair on the Enterprise bridge. An opportunity to have dinner with Nichols is also available. All proceeds from the meet-and-greet will benefit Nichols' retirement fund.

Star Trek, the original series (screengrab)

The Federation was founded in 1984 by fan Russ Haslage and Gene Roddenberry, the creator of the show. Its mission is to maintain shared interest in the Star Trek universe and, in keeping with the mission of the United Federation of Planets, to help others.

• The Federation has more than 30 chapters with a total of more than 2,100 members, with charitable works including the funding of local museums, offering food, clothes and school supplies to local children, feeding the homeless and much more including even a mission in Zimbabwe.

The visitor's center at Federation World Headquarters.

The organization's new world headquarters facility features a visitor's center, gift shop and much more. It is open to fans and visitors and can be found at 501 Cleveland Road West, in Huron, Ohio. 

Their website can be found at trekfederation.com.

• The Federation is a 501(c)3 nonprofit organization. Donations are tax-deductible.

SOURCE: The Federation

Related Star Trek Stories:

• 'Star Trek' Production Illustrator John Eaves to Receive a Lifetime Achievement Award at the 25th Annual Art Directors Guild Awards
• The First Ever 'Star Trek' Film Celebrates Its 40th Anniversary As 'Star Trek: The Motion Picture' Returns to the Big Screen for Two Days Only
• US: Fathom Events Celebrates #BlackHistoryMonth With First Film Series This February [Trailers Included]
• TV's First Interracial Kiss Launched A Lifelong Career In Activism

China Is Using Mythology & Sci-Fi To Sell Its Space Programme To The World

The Wandering Earth is a Chinese sci-fi film which the government promoted abroad. (Netflix)

On the morning of June 17, China launched its long-awaited Shenzhou-12 spacecraft, carrying three Chinese astronauts – or taikonauts – towards the Tianhe core module. The module itself was launched at the end of April, forming part of the permanent Tiangong space station, which is planned to remain in orbit for the next ten years.

China’s construction of its own space station stems from the nation’s exclusion from the International Space Station, a result of US concerns over technology transfers that could enhance China’s military capabilities. Undeterred by this, China has forged ahead with its own space programmes and alliances. Since, the country has demonstrated that the Chinese “brand” of space technology is reputable and can hold its own in the international arena.

An impressive track record of remarkable space endeavours is not the only thing that distinguishes China’s space brand from other national players. The government and related organisations have made concerted efforts to establish a unique “Chinese space culture” alongside the country’s advances in space technology. While the target audience for many of these cultural creations remains domestic, China’s space ambitions are directed at global audiences in a variety of ways.

Legendary beginnings

Perhaps the most obvious example of this is the naming of these programmes after China’s traditional roots.

The name Tiangong translates as “Heavenly Palace”. This was the residence of the deity who holds supreme authority over the universe in Chinese mythology, the Celestial Ruler. The name is particularly fitting for a Chinese space station, which acts as a home in the heavens for the country’s taikonauts. The meaning of Shenzhou, the missions that take taikonauts to space, is “Divine Vessel”, which is also a homophone for an ancient name for China, “Divine Land”.  

The Moon Goddess Chang'e. (Wikimeda)

China’s lunar exploration missions, meanwhile, are named after the legendary Moon goddess Chang’e. The tale goes that Chang’e flew from Earth to the Moon after stealing the elixir of immortality from her husband, Hou Yi.

According to Chinese mythology, Chang’e continues to live on the Moon with her rabbit companion, who spends its time pounding the elixir of immortality in a mortar for the goddess. The rabbit is known as Yutu, or “Jade Rabbit”. China’s two lunar rovers, the second of which became the first to land on the far side of the Moon in 2019, are named after it.

A key component of this lunar landing mission was Queqiao, a communication relay satellite. This was named after the myth of the “Magpie Bridge”, which joins the “Cowherd” and the “Weaver Girl” across the stretch of the Milky Way in a romantic folktale. The satellite acted as a vital bridge of communication between the Chang’e mission components and China’s mission control centre.

The linking of China’s traditional past to its forward-looking space activities serves to strengthen the identity of these space programmes as distinctly Chinese.

In connecting these achievements to the country’s cultural heritage, they are presented not as mere copies of their space power predecessors, but as having developed from national talents and progresses. They also serve as a reminder that while the programmes aim for the furthest reaches of space, China’s future will never be disconnected from its national and cultural roots.

Furthermore, these legendary names are a signal to the international community that space is not the exclusive domain of historical western figures such as Apollo or Artemis, but that it also belongs to the lineage of the Chinese people.

China’s future in fiction

Over the last few years, multiple corporations based in China have released space-themed commercial products and promotional campaigns in conjunction with China’s official space organisations, from upmarket fashion brands to KFC. But perhaps the most notable promotion of China’s space ambitions is in films.

In 2019, the blockbuster sci-fi film The Wandering Earth was released. The film was well received, and was publicised by the state’s international media platforms as a must-see.

Director Frant Gwo has spoken about the importance of the message behind the film, claiming that China’s way of thinking about space is vastly different from US ideologies. According to Gwo, while the US dreams of eventually leaving the Earth to move to other planets, the Chinese space dream is to improve life on Earth through the use of space resources. The film promotes the idea that we mustn’t try to flee our planet, but instead, we must strive to protect it. 

While most space-themed commercial products remain aimed at a domestic market, Chinese sci-fi is becoming increasingly popular abroad. Books such as The Three Body Problem by Liu Cixin, who wrote the short story which The Wandering Earth was adapted from, Folding Beijing by Hao Jingfang, which is also being adapted for the screen, and The Redemption of Time by Baoshu have all succeeded as translations.

Recognised by politicians as a potentially powerful tool for promoting state-approved narratives, government bodies have encouraged China’s sci-fi filmmakers to incorporate narratives that fit with the regime’s wider ideological and technological ambitions.

The fantasy aspect of sci-fi may explain why the genre is being internationally promoted first over other commercial products that feature imagery of actual Chinese space missions. Unlike China’s increasing capabilities in space, which are viewed as a threat by the US, the country’s fictional space developments pose no real-life risk. Able to incorporate the backdrop of a technologically powerful China into entertaining and compelling narratives, such stories allow foreign audiences to engage with the idea of China as a space power without the kind of political discourse that surrounds its real space activities.

Eventually, a foreign audience may begin to grow more comfortable with the notion of China as a technological world leader. And this, in turn, may cultivate an interest in the activities of the Chinese national space programme.

About Today's Contributor:

Molly Silk, PhD Candidate, Chinese Space Policy, University of Manchester

This article is republished from The Conversation under a Creative Commons license. 

Related Stories:

• 'The Wandering Earth:' Learns And Differs From Hollywood 
• Space Mission Names Embody Chinese Romanticism [Video Included]
• 'Avengers: Infinity War' Reflects Transformation Of Chinese Movie Market [Video Included]

Action Square's ANVIL Will Participate In The World's Largest Game Exhibition, #E32021 [Promotional Trailer Included]

ANVIL by SK Telecom and Action Square will participate in the world's largest game exhibition, E3 2021

A new blockbuster shooting game, ANVIL by Action Square, will participate in the world's biggest game festival, 'E3 2021'.

E3 is the world's largest international game exhibition held in Los Angeles, USA, every year, and has been confirmed that it will be held online for this year. Since last year's E3 was canceled due to COVID 19, many gamers show tremendous interest in revived online E3. 

• Although the fact that the festival will be held online seems quite risky; however, that can be counted as another opportunity because many more gamers all around the world can appreciate various contents of the E3 at their home.

 'ANVIL' (Screengrab)

ANVIL will participate in the E3 as one of the main line-up of SK Telecom, the game publisher of Xbox and 5GX cloud gaming. With SK Telecom in charge of distribution, the expectation of the industry and gamers having on ANVIL has significantly increased. Moreover, Action Square also indicates their strong confidence in ANVIL.

ANVIL is a top-down shooting action game with various characters that also supports multiplay. 'ANVIL', the game's main background, is an agency to search for a bolt, a legacy of an alien civilization scattered in space. 

The users will explore unknown galaxies by becoming 'breakers' who search for bolts. Each galaxy consists randomly, and various boss monsters are waiting for the gamers.

'ANVIL' (Screengrab)

One of the staff from ANVIL said, "it is our pleasure to introduce ANVIL through the world's largest game exhibition, E3. We are planning to release several information of ANVIL such as new trailers, play clips, and developer interviews in time for participation in E3. Not only that, but we are also planning to proceed with various aggressive promotion strategies, including open test via Xbox and Steam."

The Promotional Trailer:

• ANVIL will be released on different platforms such as PC, consoles, and clouds for gamers worldwide, including South Korea, the USA, and Europe, within this year.

SOURCE: Action Square

Marvel Entertainment & SiriusXM to Premiere First Original Scripted Podcast Series 'Marvel's Wastelanders: Old Man Star-Lord' on June 1 [Trailer Included]

Marvel Entertainment & SiriusXM to Premiere First Original Scripted Podcast Series 'Marvel's Wastelanders: Old Man Star-Lord' on June 1 (PRNewsfoto/Sirius XM Holdings Inc.)

Marvel Entertainment and SiriusXM announced today the launch of their first original scripted podcast series, Marvel's Wastelanders: Old Man Star-Lord. 

The first two episodes will be available starting Tuesday, June 1, on the SiriusXM App, Pandora, Stitcher, and all major podcast platforms. 

The 10-episode series will be released weekly, kicking off season one of Marvel and SiriusXM's multi-part Marvel's Wastelanders podcast series, which will feature other Marvel heroes, including Old Man Wolverine, Old Man Hawkeye, and Grey Widow.

Marvel's Wastelanders: Old Man Star-Lord stars Timothy Busfield (The West Wing, For Life) as Star-Lord, Chris Elliott (Schitt's Creek, Eagleheart) as Rocket, and Nadine Malouf (High Fidelity, The Looming Tower) as Cora. The series will also feature Patrick Page (Hadestown, upcoming The Gilded Age) as Kraven the Hunter, with Vanessa Williams (Ugly Betty, Desperate Housewives) as Emma Frost and Danny Glover (Lethal Weapon, The Color Purple) as Red.

In a shadowy alternate future of the Marvel Universe, the Villains have finally won, and Heroes are nothing but a bad memory. Marvel's Wastelanders: Old Man Star-Lord finds Peter Quill and Rocket a little paunchier, a little slower, and a lot saltier than they were during the glory days of the Guardians of the Galaxy. They quickly discover that the Earth isn't what it used to be, either, when they crash land 30 years after Doctor Doom took over a barren, desolate wasteland and all the world's super-villains seized control, including outlaw Ghost Riders and the bloodthirsty Kraven the Hunter.

 The Trailer:

"Marvel's Wastelanders: Old Man Star-Lord is a story that throws you right into the action, antics – and danger – that fans of Star-Lord and Rocket know to expect, and the writers, cast, and crew did not hold back. We couldn't be prouder of how this story came together," said Stephen Wacker, Vice President and Head of Content, Marvel New Media. "This series is just the first chapter of our larger Marvel's Wastelanders plans with SiriusXM, and Peter Quill's story is only the tip of the iceberg for our new Marvel Audio Universe. We can't wait to share what's next with you all."

The series is produced in association with Wave Runner Studios and written by Benjamin Percy (Wolverine: The Long Night, Wolverine: The Lost Trail), directed by Kimberly Senior (Disgraced), and sound designed with original scoring by Mark Henry Phillips (Homecoming, Passenger List). 

The series is produced by Jenny Radelet Mast from Wave Runner Studios and executive produced by Dan Buckley, Joe Quesada, Daniel Fink, Sarah Amos, Stephen Wacker, Ellie Pyle, and Jill DuBoff from Marvel.

The cast for the series also includes actors Eric T. Miller, Elizabeth Francis, Quincy Tyler Bernstine, Marylouise Burke, Blake Stadnik, Dylan Baker, and Aasif Mandvi.

Fans will also have a chance to hear from and interact with cast members and special guests in the forthcoming exclusive VIRTUAL Marvel's Wastelanders: Old Man Star-Lord Cast Town Hall this Thursday, May 20, at 4:00 pm ET/1:00 pm PT via Zoom. 

Register early for your chance to ask a question during the broadcast, and tune in for some exciting behind-the-scenes details, previews, and reveals about Marvel's Wastelanders: Old Man Star-Lord – and what comes next!

• Fans can pre-register for this special Marvel event starting today at siriusxm.com/MarvelTownHall

SiriusXM subscribers can tune in to SiriusXM Stars (ch. 109) on May 22 and 23 to hear the Marvel's Wastelanders: Old Man Star-Lord Cast Town Hall.

• For more information on Marvel's Wastelanders: Old Man Star-Lord, visit marvel.com/Wastelanders

SOURCE: Sirius XM Holdings Inc.

IMAX Stomps to Biggest Domestic Opening in Over a Year with $4.5 Million for "Godzilla vs. Kong" [Trailer Included]

IMAX Stomps to Biggest Domestic Opening in Over a Year with $4.5 Million for "Godzilla vs. Kong"

IMAX scored its biggest domestic opening weekend in more than a year as "Godzilla vs. Kong" earned $4.5 million on 284 screens. Over 1,000 domestic IMAX shows were sold-out over the 5-day opening, nearly 25% of all IMAX showtimes over that period. 

• Globally, the Warner Bros. and Legendary Pictures' monster hit continued to smash expectations, earning $13 million this weekend across all markets.

IMAX Stomps to Biggest Domestic Opening in Over a Year with $4.5 Million for "Godzilla vs. Kong" (screengrab)

"'Godzilla vs. Kong' has emerged as a symbol of the enduring strength of the theatrical experience for blockbuster filmmaking, delivering great box office even with many theatres still closed and significant capacity restrictions," said Rich Gelfond, CEO of IMAX. "Make no mistake — this film has become a global event because it received a global theatrical release, and the phenomenal pipeline of tentpole films ahead have the chance to capitalize on the same opportunity."

Despite capacity limitations of up to 25% in North America, a particularly challenging environment for IMAX given its theatre design, and a day-and-date release on streaming, "Godzilla vs. Kong" now stands as IMAX's best domestic opening since January 2020. IMAX screens accounted for 9.3% of the overall weekend box office domestically. Notably, many capacity restrictions including the 25% limit in California are planned to be eased in the coming weeks.

MAX Stomps to Biggest Domestic Opening in Over a Year with $4.5 Million for "Godzilla vs. Kong" (screengrab)

The film continued its success globally, earning another $6.5 million since Wednesday in China while reaching a 10-day cume of $18 million, over 13% of the nationwide box office and the highest 10-day cume of the Godzilla and Kong franchise ever for IMAX in China. The China cume to-date is already nearly double the final IMAX China box office for "Kong: Skull Island" and "Godzilla: King of the Monsters".

The impressive results follow a pandemic-best opening internationally for the film last week, with some markets increasing their IMAX box office over last weekend's openings. IMAX has earned $28 million across all markets globally for the film to-date, 10% of the overall total.

TheTrailer:

• "Godzilla vs. Kong" will continue its run in IMAX through April 21 in domestic markets and mid-to-late April in most international markets including China, with openings in Brazil and Japan, scheduled for April 29 and May 14, respectively.

MAX Stomps to Biggest Domestic Opening in Over a Year with $4.5 Million for "Godzilla vs. Kong" (screengrab)

About "Godzilla vs. Kong":

(Via IMDb)

"With the world still shaken from the battle between Ghidorah and Godzilla, humanity has begun to try and co-exist with the Titans. But after Godzilla begins his own reign of terror, humanity must call on another legend to stop him: Kong. Not everything is as it seems when Monarch travel to Skull Island, where a mysterious young girl known to communicate with Kong must warn him of the impending danger. As Godzilla rages across nations, destroying everything in his path, the fate of the world in the hands of these two legendary Titans as both Kong and Godzilla battle for the right of King, and to stop the real threat that faces them..."

• Click here to read more about "Godzilla vs. Kong"

SOURCE: IMAX Corporation

'Star Trek' Production Illustrator John Eaves to Receive a Lifetime Achievement Award at the 25th Annual Art Directors Guild Awards

Production Illustrator John Eaves to be honored with the Lifetime Achievement Award by the Art Directors Guild at the 25th Annual ADG Awards on April 10, 2021.

Concept Artist John Eaves, known for his iconic illustrations and designs for the Star Trek series and for the numerous science fiction realms he created, will receive the Art Directors Guild (ADG, IATSE Local 800) Lifetime Achievement Award from the Illustrators and Matte Artists (IMA) at the 25th Annual ADG Awards. 

Herman Zimmerman, Emmy-nominated Production Designer for the Star Trek franchise, will be presenting the award to Eaves. 

• The event will celebrate Eaves' artistic contribution to the many space vehicles, sets, and concepts that have become classics in the Marvel, Star Trek and Sci-Fi worlds that we know today.

The Awards ceremony, set for Saturday, April 10, 2021, will break with tradition in response to the COVID-19 pandemic and will be presented on a virtual platform, streaming to a worldwide and more inclusive audience. This is the final of four Lifetime Achievement Awards to be announced by the Art Directors Guild. 

• The event is free to everyone, but registration is required at adgawards25.com.

"For the past 36 years, John's work as a Production Illustrator has been an integral part of over 100 films and television shows. From props, to sets, to vehicles, to gadgets, and, most prominent and recognizable, a small fleet of starships for the Star Trek franchise, John has inspired many and left an amazing mark on our industry. We celebrate his creativity, talent, and contributions to the Craft and honor him with this year's Lifetime Achievement Award," said Tim Wilcox, ADG Illustrators & Matte Artists Council Chair.

John Eaves has worked as a concept artist on many of Hollywood's most successful franchises, creating iconic Sci-Fi images of futuristic worlds, vehicles, spaceships, and otherworldly designs that have become the foundations and concepts of over 100 award-winning motion picture franchises. These include four Star Trek movies; Captain America: The Winter Soldier; Pirates of the Caribbean: On Stranger Tides; Spider-Man: Homecoming; Guardians of the Galaxy Vol. 2 and Iron Man 3.

His talented prop designer and diverse model maker skills are on display in Godzilla: King of the Monsters, Ant-Man and The Wasp, Ant-Man, Captain America: The Winter Soldier, Iron Man 2, Batman Forever, Toys, Die Hard 2, RoboCop 2 and The Hunt for Red October, among many others.

Eaves' groundbreaking work has garnered him numerous awards, including four previous ADG awards. As a child, John was fascinated with aircraft and science fiction and how films came together, a fascination that continued into adulthood and which led to a highly successful 36-year career and still counting.

The event is free to everyone, but registration is required at adgawards25.com

As previously announced, Ryan Murphy, one of television's most successful award-winning writers-directors-producers whose shows have consistently reflected the highest quality of production design, will receive the esteemed Cinematic Imagery Award, presented by actor Matt Bomer, star of Ryan's "American Horror Story," "Glee," "American Crime Story," "The Normal Heart" and, most recently, "The Boys in the Band."

Academy Award- and Emmy-winning Production Designer Stuart Wurtzel, ADG, known for his work on Hannah and Her Sisters and "Angels in America," will receive the ADG Lifetime Achievement Award from the Production Designers and Art Directors Council (AD). Martha Johnston, ADG, dynamic artist best known for her over 60 movie and television design credits, is set to receive the ADG Set Designers & Model Makers (SDMM) Lifetime Achievement Award. 

Scenic Artist Patrick DeGreve, ADG, best known for his prolific backings, sets and props for shows created at CBS TV City over the past 45 years, will receive the ADG Lifetime Achievement Award from the Scenic, Title & Graphic Artists (STG). 

• A complete list of past honorees can be found on ADG's website. #iwillbethere #adgawards

• Producer of this year's ADG Awards (#ADGawards) is Production Designer Scott Moses, ADG. 

Final online voting will be held through April 7, 2021, and winners will be announced at the virtual gala ceremony on Saturday, April 10, 2021. ADG Awards are open only to productions when made within the U.S. by producers signatory to the IATSE agreement. Foreign entries are acceptable without restrictions. 

The Invite - Art Directors Guild (IATSE, Local 800)

SOURCE: Art Directors Guild (IATSE, Local 800)