Vision Films Adds to October Halloween Film Fare With Sci-Fi Alien Adventure 'White Sky' [Trailer Included]

'White Sky' Sci-Fi Thriller - Movie Poster

Vision Films Inc. announces the US and Canadian VOD release on October 16 of sci-fi alien adventure White Sky from M and M Film Productions UK. Written by Philip Daay, directed and produced by Adam Wilson, and produced by Malcolm Winter, Makenna Guyler, and Monika Gergelova of M and M. White Sky was filmed on location in Wales during the pandemic, September 2020.

Synopsis: 

When three campers witness an alien mothership descending on their town and turning the population into "Altered" human beings, they team up with a reclusive stranger who offers to guide them to safety. As they're chased deep into the forest and one of them becomes infected, they realize there's nowhere to hide from the Altered horde that seems intent upon finding and assimilating them.

Starring: 

• Natalie Martins (Get Gone), Ade Dimberline (The Spanish Princess), Makenna Guyler (King of Crime), and Jordan McFarlane.

'White Sky' (Screengrab)

Lise Romanoff, CEO/Managing Director of Vision Films shares, "White Sky is the perfect sci-fi release for Halloween, it covers all the bases the horror audiences love: great special effects, suspense, action and of course, aliens."

Malcolm Winter, Managing Director/Commercial Director says, "M & M Film Productions overcome all the obstacles to shoot White Sky in the lockdown and create an entertaining Sci-Fi drama."

Monika Gergelova, CEO/Managing Director adds, "White Sky has a strong female character in "Hailey" who does not give up, no matter what she has to face. Sensational all the way through."

The Trailer:

• White Sky will be available on all major streaming and cable platforms in the US and Canada, and on DVD October 19, 2021.

'White Sky' (Screengrab)

About M and M Film Productions:

M and M Film Productions is an Independent UK Motion Picture Production company founded/led by Monika Gergelova, CEO/Managing Director and Malcolm Winter Managing Director/Commercial Director and together they bring decades of motion picture and investment financing to M & M Film Productions. The principals also possess well-respected relationships with production suppliers and distribution outlets on a needed basis.

SOURCE: Vision Films, Inc.

[Blog Tour] 'The Wisdom of the Flock: Franklin and Mesmer in Paris' By Steve M. Gnatz #HistoricalFiction

The Wisdom of the Flock - Tour Banner

The Book:

The Wisdom of the Flock: Franklin and Mesmer in Paris
By Steve M. Gnatz

• Publication Date: November 2020
• Publisher: Leather Apron Press
• Page Length: 541 Pages
• Genre: Historical Fiction

The Book Trailer:

The Blurb:

A WORLD OF ENLIGHTENMENT, REVOLUTION, AND INTRIGUE

1776: Benjamin Franklin sails to Paris, carrying a copy of the Declaration of Independence, freshly signed. His charge: gain the support of France for the unfolding American Revolution. Yet Paris is a city of distractions. Ben’s lover, Marianne Davies, will soon arrive, and he yearns to rekindle his affair with the beautiful musician.

Dr. Franz Mesmer has plans for Marianne too. He has taken Parisian nobility by storm with his discovery of magnétisme animale, a mysterious force claimed to heal the sick. Marianne’s ability to channel Mesmer’s phenomena is key to his success.

A skeptical King Louis XVI appoints Ben to head a commission investigating the astonishing magnétisme animale. By nature, Ben requires proof. Can he scientifically prove that it does not exist? Mesmer will stop at nothing to protect his profitable claim.

The Wisdom of The Flock explores the conflict between science and mysticism in a time rife with revolution, love, spies, and passion.

• Trigger Warnings: Mild sexual content

• Buy Links: Available on Kindle Unlimited ✔ Amazon UK ✔ Amazon US ✔ Amazon CA ✔ Amazon AU ✔ Barnes and Noble ✔ Waterstones ✔ 

The Wisdom of the Flock - Book Cover

'The Wisdom of the Flock: Franklin and Mesmer in Paris' - Excerpt:

The crew would be starting their breakfast soon, yet food was the last thing Ben wanted. He made his way to the cloth-covered part of the deck. The thick oaken planks were wet with rain and sea spray. The area he sought was sheltered from the howling wind. Ben found the air on deck to be electrically charged and more invigorating than usual, exactly what he needed to settle his stomach and pounding head.

Ben sat down on a deck chair and spread a heavy wool blanket over his legs to shelter himself from the cold ocean spray.

“Do you believe in God, Doctor Franklin?” a deep voice asked.

Ben jumped, flailing his arms out of his lap. He hadn’t realized he was not alone. He squinted through his bifocals to make out a gaunt man, completely dressed in black, occupying a nearby chair. He was as emaciated as a saint but with the haughty countenance of a bishop. It was the Reverend William Smith.

“Reverend, I fervently hope that not only does He exist on such a foul day as this . . . but that He has a benevolent nature,” Ben replied.

The Reverend sat back and pulled a blanket up around his neck. “Well spoken,” he said with a chill in his voice.

Ben had learned long ago that there was no gain to be had in debating religious faith with devotees such as the Reverend. It wasn’t that Ben didn’t believe in God; it was simply that he didn’t have proof. And Ben needed proof of things. He could think of only a few aspects of his life that he was willing to take on faith. The love of his late wife came to mind. But then, that belief hadn’t been based entirely on faith either, for she had had ways of proving her love to him. God was a different matter altogether. A painful memory flashed of Ben praying to God to spare his son Francis from the pox, but the four-year-old succumbed. While this certainly wasn’t proof that God didn’t exist, though, it had shaken his faith. However, Ben knew that, like any true believer worth his salt, the Reverend would have an explanation for God’s lapse. Ben decided to change the subject.

“That bolt of lightning was close just now,” Ben said. He gazed out at the clouds that flashed in the distance.

“Aye, a bit too close for comfort,” the Reverend said. “But we can thank the Almighty for the effectiveness of your lightning rod. Lord knows how many ships were destroyed by fire before you were inspired by Him to invent it.”

Ben had not been certain that the clergyman would even know about his invention. Smith’s reply encouraged him to go on.

“Thank you, Reverend,” he said. “The Lord works in mysterious ways, even through men such as me. Though I am sure He’s familiar with how the rod works, I wonder if you are?”

The Reverend sat up a bit. “I know only that the lightning bolt was somehow prevented from striking the ship,” he replied.

“Oh no, the lightning almost certainly struck our ship just now,” Ben explained. “Our mast is the tallest point for miles at sea. When I began studying the behavior of lightning, I noted that it always seeks the highest point in the landscape. Not only that, but also that lightning always seeks its way to the ground. My lightning rod simply creates a safe channel for the lightning to pass through the ship, so as not to endanger the vessel or its cargo. If the lightning were to strike a mast, there would be damage or fire. And if the damage were severe enough, it might even sink the ship.

“My rod is placed at the highest point on the ship and attracts the lightning. But that alone isn’t enough to prevent catastrophe, for I also found that I needed to channel it through the ship to the water. A thick metal cable runs from the lightning rod to below the water line to accomplish this.”

“A truly marvelous invention,” the Reverend replied. “Thanks be to God. But I thought you said that lightning always seeks the ground. Wouldn’t you have to run your metal cable back to the Colonies for the rod to be effective?”

“Excellent, excellent,” Ben exclaimed, “that is just the sort of question a man of science carries within him like a man of the cloth seeks to understand the mysteries of his faith . . . but I do beg to remind you that our country is now called the United States of America.”

“Oh, yes! Force of habit,” the Reverend exclaimed.

“Perhaps not a bad habit to maintain until your mission is accomplished,” Ben said. “Your Anglican Church does not support independence for the people of the United States.”

“That doth vex me,” the Reverend replied. He sunk back in his chair.

Ben resumed his explanation animatedly. “You will observe Reverend, as I did early on, that lightning is an electrical fluid that has no trouble traveling quickly through the air. Through careful experiments, I also found that this electrical fluid travels through water, albeit more slowly. Hence, there’s no need to run a cable back to shore so long as we are connected to the earth by water. Scientists around the world have taken to calling this electrical fluid ‘electricity’.”

“But what do you believe to be the source of this ‘electricity’, as you call it?” the Reverend asked. “The Bible tells us that lightning is sent down from Heaven by God.”

A slight shiver traveled Ben’s spine. Was it the cold sea spray or a sense that the Reverend was once again testing his religious beliefs?

It had not been so many years since scientists had been treated as heretics and persecuted for their belief that natural forces might be studied for the benefit of mankind. Now, in modern-day 1776, in this age of enlightenment, a fragile truce existed between religion and science. Ben believed the truce had occurred in part because of advances in natural philosophy—the science of the natural world and medicine.

The revelation that tiny creatures seen through the microscope by Van Leeuwenhoek and others in the last century might be the cause of human diseases was gaining wider acceptance. With increasing frequency, descriptions of these microbes and their associated diseases were being published in the proceedings of the Royal Society in London.

Ben had a personal stake in understanding the spread of disease and in making others aware. Smallpox had claimed the life of his beloved son Francis over forty years ago, and still claimed the lives of thousands each year.

It was disheartening that despite the advent of effective inoculation against smallpox, the Church continued to consider the medical technique to be inconsistent with the established canon. Ben had stormed out of more than one sermon when the clergyman had condemned vaccination as unholy.

“Reverend, you may if you wish, believe that lightning represents the wrath of God . . . sent down to avenge the sins of mankind,” Ben said. “But I believe that this electrical fluid is simply another natural force—no more mystical than the powerful flow of water through a stream that the miller uses to turn a wheel and grind the grain from the field. Mankind has learned to harness many natural forces. While it is wild and dangerous today, I believe that electricity may someday yield tangible benefits to mankind . . . if we can learn how to channel it appropriately.”

The Reverend appeared to be deep in thought. He raised his eyebrows and shrugged. “What do workers gain from their toil? I have seen the burden God has laid on the human race. He has made everything beautiful in its time. He has also set ignorance in the human heart; so that no one can fathom what God has done from beginning to end,” he said.

“Ecclesiastes,” Ben replied. “But what do you mean by it?”

“Ben, don’t you see that there might be mysteries that are not intended to be known to man? That God has intended for some things to be taken on faith? That your natural philosophy both cannot, and I dare say should not, attempt to provide a proof for everything under the Sun? That by attempting to do so, by requiring proof for everything, you denigrate God and His power?”

“No, I don’t see it that way at all, Reverend,” Ben said. “I believe that God would want mankind to discover the intricate workings of the universe that He has created for us to live in. I believe that He has designed us to be probing, intelligent beings; designed us to yearn to discover and elucidate the hidden workings of the universe—not designed us as sheep, blindly following established doctrine.”

The Reverend looked as if he might object but said nothing.

Ben went on. “Take your own situation as an example. You do not believe that the Anglican Church is right in backing the British in this conflict over our freedom, correct?”

The Reverend squirmed in his seat. “Aye.”

“And the Church would say that you should accept their decision blindly, that it is God’s will, correct?”

“Aye.”

“But you do not see it that way. You have seen the injustices inflicted by the British on our people. You have thought independently and asked yourself why God would want things this way. The answer we agree upon is that God would want our people to be free. It is the Church that has a different goal, the Church that has a need to maintain the status quo. Your Anglican Church claims to know the will of God in this matter . . . but do they? Once you start asking questions, as you have, once you start demanding proof of things, as I do—then you will ultimately find the correct answer: that the will of God and the will of the Church may not be one and the same.”

“Yes, I see your point,” the Reverend replied, “but what of God’s true will? Would it not be one of the mysteries that cannot be proven? Isn’t God’s will ultimately something that must be taken on faith?”

Ben didn’t have an answer to his question, but during the time they had talked, the storm had abated enough that his appetite returned.

“Reverend, what say we see what the cook has prepared for breakfast?”

“Nay, I’m not yet ready to eat, sir. I’ll sit out here a bit longer, contemplating what the Lord may have in store for me.”

Ben bid the Reverend good day and headed for the galley.

Steve Gnatz

Author Bio:

Steve Gnatz is a writer, physician, bicyclist, photographer, traveler, and aspiring ukulele player. The son of a history professor and a nurse, it seems that both medicine and history are in his blood. Writing historical fiction came naturally. An undergraduate degree in biology was complemented by a minor in classics. After completing medical school, he embarked on an academic medical career specializing in Physical Medicine and Rehabilitation. There was little time for writing during those years, other than research papers and a technical primer on electromyography. Now retired from the practice of medicine, he devotes himself to the craft of fiction. The history of science is of particular interest, but also the dynamics of human relationships. People want to be good scientists, but sometimes human nature gets in the way. That makes for interesting stories. When not writing or traveling, he enjoys restoring Italian racing bicycles at home in Chicago with his wife and daughters.

Connect with Steve Gnatz:

• Website ✔ Blog ✔ Facebook ✔ BookBub ✔ Amazon Author Page ✔ Goodreads ✔

 The Wisdom of the Flock - Tour Schedule Banner

The Monster Is Out of the Bottle! - Highly Anticipated Horror Film 'Bottle Monster' to be Released Early August [Trailer Included]

Bottle Monster has received numerous awards throughout its festival run.

Overloaded Mags Productions and Premiere Digital have announced the release of the Feature Film "Bottle Monster."

The psychological thriller/horror movie, centers around the anti-heroine Allison Keys, who struggles to raise her young son while trying unsuccessfully to fight her addiction to alcohol. Alison's world crumbles as she tries to flee her life, only to come face-to-face with a real-life monster.

• Written, directed and produced by powerhouse, Marjorie DeHey, the film has won numerous festival accolades domestically and internationally. 

This modern-day take on the classic "creature-feature" is set for release on August 3, 2021, and will be available on VUDU, DISH, Redbox OnDemand, Rogers, Tubi, numerous other streaming platforms and currently available for pre-order from iTunes ahead of its wider release.

Behind the scenes of Bottle Monster. From left to right: Ryker Overacker - Actor, Paul Overacker - Producer, Marjorie DeHey - Director, Zac Overacker - Production Manager, Gabriel Chacon - Associate Producer/Sound Mixer; Photo Credit: Rodin Eckenroth (@rodinphotography)

DeHey began creating her own films in 2017 following a near-death experience upon the discovery of a large brain tumor. Having worked on the business side of the industry for years, she was frustrated with the lack of opportunities available to women directors, so she determined to create her own opportunities. For her, "Bottle Monster" not only reflects Allison's struggles as a woman and a mother but also every woman's daily struggle to try to balance all the challenges in their lives. It is a poignant reflection of how some women lose the fight to drugs and alcohol only to redeem themselves when their child is in real danger.

"For me, the true horror of "Bottle Monster" is Allison's internal struggle. The monster, while real, is a reflection of Allison's darkness and self-loathing. Allison wants to ask for help but she doesn't know how. She wants to be a good mother, but the tragic and haunting events of her life drive her to find solace at the bottom of a bottle. Her son is forced to grow up too fast and they are pushed into fighting an atrocity that they cannot truly comprehend," says DeHey.

The Trailer:

The film stars Billie Proffitt, industry veteran Willie Aames, Emmy-award winning actor Kim Estes, and introduces Ryker Overacker. It was produced by Paul Overacker, and Marjorie DeHey, both of whom earned the coveted "Produced By Mark" (p.g.a.) from the Producers Guild of America in recognition of their roles in the production of the film.

• For more information about "Bottle Monster" and its release, follow its IMDB page

SOURCE: Bottle Monster LLC

Vision Films Brings Post-Apocalyptic Contamination Flick 'Lethal Virus' to Audiences This Summer [Trailer Included]

'Lethal Virus' - Movie Poster

Vision Films Inc. announced the North American release of the contagion horror film Lethal Virus on July 27. The film, partially shot during the pandemic, is a production of Virtual World Pictures and World Real Games, with the collaboration of Canary Film Factory and directed by filmmaker Daniel H. Torrado, who also co-produced, co-wrote and post-produced. 

Eerily familiar, a deadly and highly contagious Corona virus sweeps across the globe, this time unleashing flesh-eating zombies. Although the film is to entertain with a good dose of action and suspense, it is a warning about the dangers of climate change and the need for a more caring society. Can anyone survive?

The Synopsis: 

In a post-apocalyptic world where food is scarce and danger is high, a new super virus begins to infect the remaining population and threatens to destroy what's left of humankind. As a special forces group transports a young scientist, their last hope for a cure, to her lab against all odds of survival, they encounter zombie-like creatures who are the newest victims of the super virus.

The Trailer:

Starring an international cast including Christian Stamm (Westworld, Malnazidos), Loretta Hope (Barren, Hexagon), Ramón Álvarez (Justice League, Jurassic World) and Tomas Paredes (James Bond, El Cid). And for the action scenes, the team of specialists from films such as Assassin's Creed, Mission: Impossible - Fallout, Rambo 5, Star Wars: The Force Awakens, and Terminator 6, among others, were used.

Lise Romanoff, CEO/Managing Director of Vision Films shares, "Lethal Virus is such a timely film that brings together an international cast and great effects for a harrowing and gruesome escapade to save humanity."

Writer/Director Daniel Torrado says, "During the filming, the pandemic began and we watched in amazement as the script was transforming into reality before our eyes. During the shooting we also suffered the inclemency of climate change, in the form of unexpected snowfalls and torrential rains, but we decided to use the setbacks to our advantage, adapting the scenes and including snowy sequences of great visual beauty."

• The zombie thriller will be available on VOD and cable platforms across the US and Canada, and on DVD. Official Selection of the NIAFFS International Action Film Festival 2021.

SOURCE: Vision Films, Inc.

China Is Using Mythology & Sci-Fi To Sell Its Space Programme To The World

The Wandering Earth is a Chinese sci-fi film which the government promoted abroad. (Netflix)

On the morning of June 17, China launched its long-awaited Shenzhou-12 spacecraft, carrying three Chinese astronauts – or taikonauts – towards the Tianhe core module. The module itself was launched at the end of April, forming part of the permanent Tiangong space station, which is planned to remain in orbit for the next ten years.

China’s construction of its own space station stems from the nation’s exclusion from the International Space Station, a result of US concerns over technology transfers that could enhance China’s military capabilities. Undeterred by this, China has forged ahead with its own space programmes and alliances. Since, the country has demonstrated that the Chinese “brand” of space technology is reputable and can hold its own in the international arena.

An impressive track record of remarkable space endeavours is not the only thing that distinguishes China’s space brand from other national players. The government and related organisations have made concerted efforts to establish a unique “Chinese space culture” alongside the country’s advances in space technology. While the target audience for many of these cultural creations remains domestic, China’s space ambitions are directed at global audiences in a variety of ways.

Legendary beginnings

Perhaps the most obvious example of this is the naming of these programmes after China’s traditional roots.

The name Tiangong translates as “Heavenly Palace”. This was the residence of the deity who holds supreme authority over the universe in Chinese mythology, the Celestial Ruler. The name is particularly fitting for a Chinese space station, which acts as a home in the heavens for the country’s taikonauts. The meaning of Shenzhou, the missions that take taikonauts to space, is “Divine Vessel”, which is also a homophone for an ancient name for China, “Divine Land”.  

The Moon Goddess Chang'e. (Wikimeda)

China’s lunar exploration missions, meanwhile, are named after the legendary Moon goddess Chang’e. The tale goes that Chang’e flew from Earth to the Moon after stealing the elixir of immortality from her husband, Hou Yi.

According to Chinese mythology, Chang’e continues to live on the Moon with her rabbit companion, who spends its time pounding the elixir of immortality in a mortar for the goddess. The rabbit is known as Yutu, or “Jade Rabbit”. China’s two lunar rovers, the second of which became the first to land on the far side of the Moon in 2019, are named after it.

A key component of this lunar landing mission was Queqiao, a communication relay satellite. This was named after the myth of the “Magpie Bridge”, which joins the “Cowherd” and the “Weaver Girl” across the stretch of the Milky Way in a romantic folktale. The satellite acted as a vital bridge of communication between the Chang’e mission components and China’s mission control centre.

The linking of China’s traditional past to its forward-looking space activities serves to strengthen the identity of these space programmes as distinctly Chinese.

In connecting these achievements to the country’s cultural heritage, they are presented not as mere copies of their space power predecessors, but as having developed from national talents and progresses. They also serve as a reminder that while the programmes aim for the furthest reaches of space, China’s future will never be disconnected from its national and cultural roots.

Furthermore, these legendary names are a signal to the international community that space is not the exclusive domain of historical western figures such as Apollo or Artemis, but that it also belongs to the lineage of the Chinese people.

China’s future in fiction

Over the last few years, multiple corporations based in China have released space-themed commercial products and promotional campaigns in conjunction with China’s official space organisations, from upmarket fashion brands to KFC. But perhaps the most notable promotion of China’s space ambitions is in films.

In 2019, the blockbuster sci-fi film The Wandering Earth was released. The film was well received, and was publicised by the state’s international media platforms as a must-see.

Director Frant Gwo has spoken about the importance of the message behind the film, claiming that China’s way of thinking about space is vastly different from US ideologies. According to Gwo, while the US dreams of eventually leaving the Earth to move to other planets, the Chinese space dream is to improve life on Earth through the use of space resources. The film promotes the idea that we mustn’t try to flee our planet, but instead, we must strive to protect it. 

While most space-themed commercial products remain aimed at a domestic market, Chinese sci-fi is becoming increasingly popular abroad. Books such as The Three Body Problem by Liu Cixin, who wrote the short story which The Wandering Earth was adapted from, Folding Beijing by Hao Jingfang, which is also being adapted for the screen, and The Redemption of Time by Baoshu have all succeeded as translations.

Recognised by politicians as a potentially powerful tool for promoting state-approved narratives, government bodies have encouraged China’s sci-fi filmmakers to incorporate narratives that fit with the regime’s wider ideological and technological ambitions.

The fantasy aspect of sci-fi may explain why the genre is being internationally promoted first over other commercial products that feature imagery of actual Chinese space missions. Unlike China’s increasing capabilities in space, which are viewed as a threat by the US, the country’s fictional space developments pose no real-life risk. Able to incorporate the backdrop of a technologically powerful China into entertaining and compelling narratives, such stories allow foreign audiences to engage with the idea of China as a space power without the kind of political discourse that surrounds its real space activities.

Eventually, a foreign audience may begin to grow more comfortable with the notion of China as a technological world leader. And this, in turn, may cultivate an interest in the activities of the Chinese national space programme.

About Today's Contributor:

Molly Silk, PhD Candidate, Chinese Space Policy, University of Manchester

This article is republished from The Conversation under a Creative Commons license. 

Related Stories:

• 'The Wandering Earth:' Learns And Differs From Hollywood 
• Space Mission Names Embody Chinese Romanticism [Video Included]
• 'Avengers: Infinity War' Reflects Transformation Of Chinese Movie Market [Video Included]

"Procession", An Augmented-Reality Artwork Of Our Not-So-Distant Future, Debuts At The Tribeca Festival [Trailer Included]

Procession (Tribeca Festival Poster)

Dustin Yellin, in collaboration with the National Wildlife Federation, Droga5, Squint/Opera, Q Department, Mach1 and Vrai Pictures, has announced the launch of Procession, a new interactive artwork that lets anyone in the world place a Dustin Yellin sculpture in their immediate environment and bring the art to life through complete explorative immersion, revealing hundreds of narratives within the piece. 

Set to debut globally at this year's Tribeca Festival, Procession is a groundbreaking augmented-reality (AR) app experience set in a utopian world where human-created climate change wreaks havoc as you watch.

Procession is one of the first fine-art AR projects based on a realized sculpture to combine animation, collage and archival footage into an explorative interactive soundscape. It presents our near future, a period of global unrest and environmental destruction, spurred by raging flood waters and massive wildfires. Humanity is faced with a choice: living in ignorance or uniting to preserve what's left of our planet.

Procession (Screengrab)

"My goal has always been to democratize art and create a living, breathing canvas that can be affected by every participant who touches it. Procession presents our near future, a period of global unrest and environmental destruction, spurred by raging flood waters and massive wildfires," said Dustin Yellin.

Through the accessibility of its art, Procession unites people in taking action to preserve our natural environment. Through education, awareness and a directive that links to National Wildlife Federation's nonprofit climate initiatives, Procession joins the fight to preserve our delicate ecosystem before we lose it.

Procession (Screengrab)

"The experience of becoming part of Dustin's art makes it clear that each of us has an impact on our planet and when we choose to take the steps necessary to protect wildlife and the natural world, we will be able to create a more equitable and sustainable planet for everyone," said Carey Stanton, Head of Innovation Partnerships for the National Wildlife Federation. "We are thrilled to be the wildlife conservation partner for Procession."

• Procession was created in a unique collaboration of established creative and production partners including global creative agency Droga5, creative studio Squint/Opera, music studios Q Department and Mach1, and immersive design studio Vrai Pictures.

Procession (Screengrab)

"We've been working on this collaboration for quite some time, and it's a pleasure to see the work of Dustin, Droga5 and our partners finally realized in such a pure, impactful way," said Director of Innovation at Droga5 Justin Durazzo. "We're really excited to deliver this interactive art piece in our rapidly evolving tech and climate landscape and hope everyone—regardless of their age, beliefs or background—will relate to it."

"The partnership was driven by our desire to make this world more intricate and immersive, more fun and educational. Technology allowed us to add animation and special effects, social interactions and gaming achievements to create a brand new artwork that truly leverages the medium it is made with," said Director of Technology at Squint/Opera Elie Zananiri. "We are very proud of this collaboration and how the AR experience turned out."

Procession - The Trailer:

• Procession is available on Apple iOS and Android (listed as Procession AR). To download the experience, go to Procession.World.

About Dustin Yellin:

Dustin Yellin is an artist who lives in Brooklyn, New York, and is the founder and director of Pioneer Works, a multidisciplinary cultural center in Red Hook, Brooklyn. His work has been exhibited at Amorepacific Museum, Brooklyn Museum, City Museum, Colección Solo, Corning Museum of Glass, The Kennedy Center, Lincoln Center for the Performing Arts, Museo Del Palacio de Bellas Artes, SCAD Museum of Art, Tacoma Museum, and with Creative Time, amongst many others. Yellin is often featured in diverse media ranging from the New York Times, to Artforum, Vanity Fair, and TED. He holds an Honorary Doctor of Humane Letters from the Savannah College of Art and Design.

About National Wildlife Federation:

The National Wildlife Federation is America's largest and most trusted conservation organization, uniting all Americans to ensure wildlife thrive in a rapidly changing world. 

• Follow them on Facebook, Twitter, and Instagram.

About Droga5:

Droga5, part of Accenture Interactive, is a creative agency with offices in New York, London and Tokyo. From integrated communications and experience innovation to business design, Droga5 exists to build and sustain the most influential brands of the 21st century through creativity. Droga5 was founded in 2006 and has been recognized as Agency of the Year more than 25 times and was named both Ad Age and Adweek's Agency of the Decade (2010–2019). Droga5 clients include Allstate, Amazon, Biofreeze, Chase, Essentia, The Hershey Company, IHOP, Kerrygold, Kimberly-Clark, lululemon, LVMH, Maserati, Mattress Firm, The New York Times and among others. 

• Visit Droga5.com or @droga5 on all social platforms to get to know us better.

About Squint/Opera:

Squint/Opera is a creative studio that brings together storytelling, media production, technology and design. The studio specialises in digital media and works with ambitious partners to communicate big ideas. With studios in London and New York, they have an international portfolio of clients, including the Empire State Building, V&A, The Metropolitan Museum, Battersea Power Station, Bordeaux Wine museum and Museum of Irish Literature.

About Q Department:

Q Department is an award winning sound production studio focused on bringing Hollywood production value to XR through our proprietary, patented Mach1 sound technology.

About Vrai Pictures:

Vrai Pictures is an XR design studio that seeks the truth in immersive media. We leverage emerging spatial computing technologies to explore the evolution of human-data interaction in order to build emotional, inclusive, and impactful experiences.

SOURCE Dustin Yellin LLC

Action Square's ANVIL Will Participate In The World's Largest Game Exhibition, #E32021 [Promotional Trailer Included]

ANVIL by SK Telecom and Action Square will participate in the world's largest game exhibition, E3 2021

A new blockbuster shooting game, ANVIL by Action Square, will participate in the world's biggest game festival, 'E3 2021'.

E3 is the world's largest international game exhibition held in Los Angeles, USA, every year, and has been confirmed that it will be held online for this year. Since last year's E3 was canceled due to COVID 19, many gamers show tremendous interest in revived online E3. 

• Although the fact that the festival will be held online seems quite risky; however, that can be counted as another opportunity because many more gamers all around the world can appreciate various contents of the E3 at their home.

 'ANVIL' (Screengrab)

ANVIL will participate in the E3 as one of the main line-up of SK Telecom, the game publisher of Xbox and 5GX cloud gaming. With SK Telecom in charge of distribution, the expectation of the industry and gamers having on ANVIL has significantly increased. Moreover, Action Square also indicates their strong confidence in ANVIL.

ANVIL is a top-down shooting action game with various characters that also supports multiplay. 'ANVIL', the game's main background, is an agency to search for a bolt, a legacy of an alien civilization scattered in space. 

The users will explore unknown galaxies by becoming 'breakers' who search for bolts. Each galaxy consists randomly, and various boss monsters are waiting for the gamers.

'ANVIL' (Screengrab)

One of the staff from ANVIL said, "it is our pleasure to introduce ANVIL through the world's largest game exhibition, E3. We are planning to release several information of ANVIL such as new trailers, play clips, and developer interviews in time for participation in E3. Not only that, but we are also planning to proceed with various aggressive promotion strategies, including open test via Xbox and Steam."

The Promotional Trailer:

• ANVIL will be released on different platforms such as PC, consoles, and clouds for gamers worldwide, including South Korea, the USA, and Europe, within this year.

SOURCE: Action Square

All-New Howl-O-Scream To Terrify SeaWorld Orlando, As The Nighttime #Halloween Event For Fright Seekers & Horror Fiends Arrives This Fall [Trailer Included]

Haunted Houses (Photo courtesy of SeaWorld Orlando)

A visit to SeaWorld Orlando will turn frightful on select evenings this fall when the park unleashes the ALL-NEW Howl-O-Scream. Guests will evade roaming haunts rampaging through scare zones and seek shelter indoors, only to find they have entered a house of horrors. 

Adventuresome guests can deepen the thrills with terrifying coaster rides in the dark, quench their thirst for fear at a fiendishly interactive bar and feel the monstrous electricity of a live show.

• The separate-ticketed event goes on sale today including exclusive discounts for Annual Pass Members, with the lowest prices of the year for what promises to be an immediate fan-favorite terrifying Halloween event taking place with 27 fright-filled nights of haunted houses, scare zones, and terrifying shows on select nights Friday, September 10 through Sunday, October 31 from 7 p.m. to as late as 2 a.m.

Howl-O-Scream joins the park's already impressive fall line-up of events including the return of family-friendly Halloween Spooktacular which boasts daytime trick or treating for kids of all ages. Spooky fun for the entire family with Spooktacular during the day and terrifying thrills by night with the launch of Howl-O-Scream make SeaWorld Orlando the place to be this Halloween season.

"SeaWorld Orlando fans love our extensive event line-up which includes a special event taking place every weekend of the year. Adding Howl-O-Scream to the calendar provides the missing element of a fright-filled Halloween event that we know our guests will welcome. With this addition, we become the only theme park in Orlando to offer both a daytime family-friendly Halloween and a nighttime horror Halloween for thrill seekers," says SeaWorld Orlando Park President Kyle Miller. "We are very excited to announce Howl-O-Scream today and look forward to sharing all of the amazing details of the event over the next few months."

Scare Zones and Roaming Haunts (Photo courtesy of SeaWorld Orlando)

Howl-O-Scream Elements:

• Haunted Houses: Hear every bloodcurdling shriek. Feel every spine-tingling terror. Get ready for the haunted houses of SeaWorld's Howl-O-Scream. There's no turning back as guests brave dark passageways and round dimly lit corners, hoping they can avoid what's lurking in the depths. The legends are true, the fear is real, and the only way out is through the fear.
• Scare Zones and Roaming Haunts: There are no safe zones. There are no places to hide. The scares are everywhere, and the roaming haunts never weaken. Get ready for immersive terror at every turn during SeaWorld's Howl-O-Scream. Guests should stay alert and be prepared for anything, because you never know what's waiting up ahead (or creeping up behind you).
• Frightful Shows: Even amid so much mayhem, the show must go on. Duck inside and be mesmerized by a raucous, high-energy musical dance show. Or discover who's behind all the terror washing over the park at an outdoor show complete with special effects. Guests will also find DJs and party zones that are perfect for a dance break between frights.
• Monster Coasters in the Dark and Haunting Experiences: It wouldn't be a SeaWorld visit without a ride or two, but it wouldn't be Howl-O-Scream without a dose of nighttime terror. Guests up to the challenge are invited to ride their favorite attractions in the dark. Meanwhile, sinister interactive surprises await at their favorite bar haunts. Keep watching to see how this once-peaceful park transforms with fear after nightfall.

High-Energy Entertainment (Photo courtesy of SeaWorld Orlando)

• Fans of fear can sign-up at HowlOScream.com/Orlando to be the first to receive more dark details on new houses, experiences and more coming to Howl-O-Scream at SeaWorld Orlando as additional gruesome details are announced.

Fans can feed their appetite for fear by following Howl-O-Scream on Social Media:

Twitter: @howloscreamorl  ✔ Instagram: @howloscreamorlando  ✔ Facebook: @howloscreamorlando  ✔

The Promo/Trailer Video:

• Howl-O-Scream is intended for a mature audience. This event contains intense adult content such as violence, gore, and blood. Howl-O-Scream 2021 is a separately-ticketed night event. No costumes are allowed.

About SeaWorld Entertainment, Inc.

SeaWorld Entertainment, Inc. (NYSE: SEAS) is a leading theme park and entertainment company providing experiences that matter, and inspiring guests to protect animals and the wild wonders of our world. The Company is one of the world's foremost zoological organizations and a global leader in animal welfare, training, husbandry and veterinary care. The Company collectively cares for one of the largest zoological collections in the world and has helped lead advances in the care of animals. The Company also rescues and rehabilitates marine and terrestrial animals that are ill, injured, orphaned or abandoned, with the goal of returning them to the wild. The SeaWorld rescue team has helped more than 38,000 animals in need over the Company's history. 

SeaWorld Entertainment, Inc. owns or licenses a portfolio of recognized brands including SeaWorld, Busch Gardens, Aquatica, Sesame Place and Sea Rescue. Over its more than 60-year history, the Company has built a diversified portfolio of 12 destination and regional theme parks that are grouped in key markets across the United States, many of which showcase its one-of-a-kind zoological collection. The Company's theme parks feature a diverse array of rides, shows and other attractions with broad demographic appeal which deliver memorable experiences and a strong value proposition for its guests.

Themed Bars and Attractions (Photo courtesy of SeaWorld Orlando)

SOURCE: SeaWorld Parks & Entertainment

US: Horror-Thriller 'Blood Pageant' Set For Summer Release From Vision Films [Trailer Included]

Blood Pageant Horror Movie Poster with Snoop Dogg, Stephen Baldwin, David Chokachi, Ted Lange

Vision Films Inc. announces the North American release of the horror-thriller feature Blood Pageant from Red Velvet Entertainment in association with Snakebyte Productions and 828 Media Capital on June 29, 2021. 

The film was written by Chris Gilmore and Anthony J. Sands, directed by Harvey Lowry, and produced by Robert Burton. Executive producers are Stacy Fouche, Gayle Gaston, Chris Gilmore, Pamela Higgs, Todd Lundbohm, and Richard Muscio.

• A summer theatrical release is also scheduled.

Set in the ubiquitous world of reality television, where it's easy to question whether or not a life and death situation has been fabricated for television or if it's dangerously genuine, the American Dream Pageant quickly devolves into an American Nightmare. The contestants are quickly locked in a battle for their very lives. With a wink and a nod, this good vs evil story pokes fun at the pop culture stereotypes of reality competition shows, vision boards, chakras, and life coaches.

Synopsis: 

What began as a million-dollar reality show competition between seven beautiful women turns into a battle for life itself when one contestant uses black magic to gain an edge over the competition. An ancient curse dating back to the Salem Witch Trials is unleashed and the competition becomes a Blood Pageant of death, destruction, and evil forces. Forget about who will win… who will survive?

• Starring Stephen Baldwin (The Usual Suspects), David Chokachi (Baywatch), Ted Lange (The Love Boat), Beverley Mitchell (7th Heaven), and Ellia English as Madame Destiny (The Jamie Foxx Show)

• The film also features Snoop Dogg, Matthew Marsden (Transformers, Resident Evil: Extinction) and Danielle C. Ryan (Criminal Minds, Lost & Found, The Cat in the Hat) playing themselves as the pageant's celebrity judges.

The Trailer:

Blood Pageant will be available on all major streaming platforms on June 29, followed by DVD at major online retailers on July 20.

• Follow @BloodPageantTheMovie on Facebook and @BloodPageantMovie on IG and visit bloodpageant.com.

About Vision Films:

Vision Films is a leading independent sales and VOD aggregator specializing in the licensing, marketing, and distribution of over 800 feature films, documentaries, and series from some of the most prolific independent film producers in the world. Led by Lise Romanoff, Managing Director/CEO Worldwide Distribution, Vision Films releases 2-4 films a month across Theatrical, VOD, DVD, and television platforms. 

About Red Velvet Entertainment:

Red Velvet Entertainment's mission is to create feature films and television shows of such high-crafted quality and originality that they are unparalleled. We believe that by instilling thought-provoking messages in everything we produce that we inspire better lifestyles and better living through our signature brand of entertainment. Led by CEO and visionary Chris Gilmore, RVE has an incredibly talented team along with Robert Burton, Anthony J. Sands, Alan Bailey, Todd Stevenson, Leo Gilmore, and Gene Gilmore.

• For more information, please visit redvelvetentertainment.net.

SOURCE: Vision Films, Inc